Charlotte Brontë's Villette
I'm assuming you've already
read Jane Eyre, which is, in my opinion, one of the most
important novels in nineteenth-century British literature and in the
study of women's literature. No English major should graduate
from college without having read Jane Eyre. So if you
haven't yet read Jane Eyre, go away, read it, and then come
back and read the rest of this recommendation. [time passes . . .
] OK. Now some people, despite their love of Jane Eyre,
find themselves dissatisfied with aspects of the novel. They may
find the way Brontë resolves some of the plot to be too
conventional, or
they may find Jane's character inconsistent. I believe in many
ways
Villette is the more interesting novel. The heroine, Lucy
Snowe,
is a very complex, mercurial character, and a narrator who likes to
withhold
certain facts from the readers until it suits her to reveal them.
Villette
is a thoroughgoing study of depression, but Brontë has also honed
her
talent for dry wit; the careful reader will be rewarded with nuggets of
understated but pointed sarcasm. Brontë has also dealt with
the plot issues in a much more ambiguous (and some would say
satisfying) manner than in
Jane Eyre. There is also an amazingly surreal scene of
Lucy
walking around the city while on drugs, and there is the merest hint of
a
lesbian attraction between her and the splendidly-named Ginevra
Fanshawe.
In an ideal world, you'd have time to read this novel twice--it's
really
worth it.
***

C.S. Friedman's Coldfire Trilogy
Black Sun Rising
When True Night Falls
Crown of
Shadows
The Coldfire
Trilogy is a dynamic fantasy/science fiction series. On the
planet Erna, a force called the fae is omnipresent and has the power to
embody thoughts and emotions in ways that can be both terrifying
and life-threatening. One of the principal characters is a highly
intriguing Byronic (of course!) and Faustian villain/hero who is as
sexy as he is creepy. The plot is intense and gripping with
adventures and suspense galore, Erna is realized in fascinating detail,
and the protagonist, Damien Vryce, is heroic, conflicted, torn,
and determined in his struggle against evil, learning that the lines
between evil and good are not nearly so neatly drawn as he would have
liked.
***
Neil Gaiman's The
Sandman
Gaiman's Sandman
series of graphic novels (also known as comics) are, in my opinion, one
of the great
works of literature written in the twentieth-century. They have
epic
sweep, mythical themes, a Byronic hero for a protagonist, a
dysfunctional family known as the Endless (the siblings Destiny, Death,
Dream, Desire,
Destruction, Despair, Delirium), and a stunning story about
responsibility
for one's actions and to one's family, redemption, acceptance, and the
question
of what gives meaning to life. Dream (aka the Sandman and Lord
Morpheus
and many other names) is arrogant, clueless, solipsistic, autocratic,
and
rigid, and at the same time, filled with human needs and
vulnerabilities.
He is the very epitome of the Byronic hero. In contrast to him,
is
his sister Death, who celebrates life and has little patience for her
brother's
angst and self-absorption. In addition, Gaiman includes one of
the
most imaginative, intelligent, and thought-provoking portrayals of
Shakespeare
and of the "true story" behind A Midsummer Night's Dream and The
Tempest. And you'll finally learn what your kitty cat is really
dreaming about. This is a long series and an expensive
investment,
but completely worth it. In order, the books are Preludes and
Nocturnes,
A Doll's House, Dream Country, Season of Mists, A
Game of You, Fables and Reflections, Brief Lives, World's
End, The Kindly Ones, and The Wake. There is
a separate
book, Sandman: The Dream Hunters, and two books devoted
to Death,
The High Cost of Living and The Time of Your Life, as
well
as a more recent collection, Endless Nights, with stories about
each
of the siblings. The Sandman engages in an exploration of
dreams
and the imagination that belongs on the same shelf as The Rime of
the
Ancient Mariner, The Defence of Poetry, Manfred, The
Eve of St Agnes, The Songs of Innocence and Experience, and
more.
As Dream remarks, "Things need not have happened to be true.
Tales
and dreams are the shadow-truths that will endure when mere facts are
dust
and ashes and forgot."
***
Marge Piercy's He, She
and It
Someone once described this
book to me as a Jewish version of Terminator 2. It's more
accurate to say that it's a Jewish version of Frankenstein and Terminator
2 all rolled up together. Piercy gives us a cyborg version of
Frankenstein's
Creature, and she intersperses his story with the Jewish legend of the
golem,
consistently raising the issue of the rights of an artificial being and
the
responsibilities of its creator. Her vision of life in the
near-future
is scarily convincing and a very plausible projection of where we are
heading
if we keep on our current course. Her novel also has cyberpunk
elements,
and she includes a very creative, descriptive, and just plain cool
portrayal of cyberspace. Her characterization is excellent
throughout;
each significant character is thoroughly three-dimensional and human,
from
Yod the cyborg to my personal favorite, Nili, a superstrong and
superfast
technologically enhanced woman warrior. If they ever make a
movie,
I want them to cast Sigourney Weaver! This is one of my all-time
favorite
books, and I literally couldn't put it down. Every time I
finished
a chapter, I'd say to myself, "Well, just one more chapter,"
because
I was so involved with the individual characters and the engrossing and
suspenseful
plot.
***
Tim Powers' The Anubis
Gates
Take a Cal State Fullerton professor named Brendan Doyle, an obscure nineteenth-century poet named William Ashbless, a trip back in time to meet Coleridge, and not one, but two Byrons! Powers (a CSUF alum) ingeniously weaves a complex mindf*ck of a plot, all the while remaining consistent with the known facts of Coleridge and Byron's lives. The novel was inspired by an incident recounted by Byron in a letter, in which several people purportedly saw him in London on a particular day in which he was actually lying ill in Egypt.
***
Tim Powers' The Stress
of Her
Regard
This book is an absolute must-read for fans of Byron, the Shelleys, and Keats. Alas, it is out-of-print, but an enterprising searcher of used books should be able to find a copy. This book is, in my humble opinion, brilliant. The protagonist, Dr. Michael Crawford, has extensive encounters with the three poets and learns that they are all linked with a type of vampire. These aren't Anne Ricean or Buffyan vampires; they're extremely original in conception and form. Tim interweaves his fictional supernatural context with the poets' lives and quotations from their poetry in a way that is absolutely plausible and consistent. The novel seemingly explains incidents in the poets' lives in a way that causes the reader to suspend her/his disbelief altogether. And the plot is suspenseful, and Tim's characterization of the poets seems right-on. They seem like real people who happen to be living extraordinary lives, and the novel ingeniously gives us a reason for their idiosyncrasies and behavior. I can't recommend this book too much.
***
Alice Sebold's The Lovely Bones
I don't often
read
contemporary fiction that isn't science fiction or fantasy, but this
book
was more than worth it. When I finished, I passed it on to my
daughter
(who's 15), who loved it and lent it to a friend of hers when she was
done.
The narrator, Susie Salmon, is a murdered 14-year old girl in
Heaven,
observing her family and friends as well as her murderer on earth.
The
premise sounds morbid, but the book is compelling and appealing in many
ways.
A lot of the appeal has to do with Susie's voice as she describes
her
experience of Heaven and her observations of her family and friends as
they
try to cope with their grief and find a way go on with life. We
see
Susie's characterization fully fleshed out as she reveals her love for
her
family as well as her regrets for the life experiences she'll never
have.
At the same time she has a kind of wry humor and growing insight
as
she learns more about the the flaws and virtues of the people she
observes.
The other characters are also very well-developed even to the
older
brother of Susie's sister's boyfriend. The novel is starkly
realistic
yet humane in its point-of-view, and it is infused with magic at the
same
time. As my daughter said, the novel is very original, the
characters
are well-rounded and you can't help caring about them, and the opening
paragraph
is so gripping that one can't help wanting to keep reading.
* * *
Dan Simmons' Hyperion Cantos
Hyperion
The Fall of Hyperion
Endymion
The Rise of Endymion
The Hyperion Cantos
are a very-far-future tetralogy that examines the relationship and
conflict between
humans and the AI's (artificial intelligences) they have created.
Simmons'
characterization is thoroughly developed; each character draws the
reader's
interest. Simmons is also a brilliant world-creator; his vision
of
the future 700 years from now is fascinating, detailed, elaborate, and
all-encompassing.
Of particular interest to English majors are Simmons' references to
John
Keats throughout. Both places and characters derive their names
from
Keats' poetry and life, but a "cybrid" recreation of John Keats plays a
large
part in the first two books, and Simmons very movingly and creatively
evokes
Keats's life and poetry. The first book is also a kind of version
of
The Canterbury Tales, with seven characters on a pilgrimage,
each
telling the story of how they came to be there. Finally, the
Shrike
is an unforgettable and extremely imaginative creation.
***